With the explosion of new production on a variety of platforms, background actors are in demand, and earnings are up……………
With the explosion of new production on a variety of platforms, background actors arein demand, and earnings are up.
But, increasingly, some members are concerned about the competition for the number of spots allocated for union background in SAG-AFTRA contracts as well as the lack of contract coverage in emerging production areas such as New Mexico, Louisiana and Georgia.
Recently, they have been on the receiving end of an outpouring of support from high-profile members, including Jeff Bridges, Amy Adams, Mandy Moore, Mark Duplass and Rachel Brosnahan ,Clarence Gilyard and many many more.
But many of these performers have only spoken out after witnessing or experiencing firsthand some of the poor treatment their colleagues who work background have received on set.
For instance, Adam recalled how she was mistaken for her stand-in while shooting HBO’s Sharp Objects;”I’ve never experienced this before but, because we looked so much alike, at one point somebody grabbed me really hard and pulled me,” she recently told THR. “I went,’What’s going on?’ and they’re like,'(Gasp) you’re not Reb!’ I went into producer mode and I was like, ‘You will not handle her like that.’ “
In April 2019, the multi-hyphenate Duplass tweeted about how appalled he was to see background performers treated badly. “If you see this happening, please gently bring it to the attention of the offender(s) and ask them to reconsider their approach.
It’s an odd blind spot in our industry,”he wrote. New York Local Board member and Background Advisory Committee Chair Avis Boone agrees. “In New York, while shooting exterior scenes in January in out-of-season wardrobe without proper breaks and a place to keep warm between shots, sometimes background actors will ask for hand warmers and be told that they only have enough for the crew or the talent only. Even though background actors are a key ingredient to make a scene look real, they are often an afterthought when it come to the things like being given proper breaks, water and safety rides.” she said.
“Background actors want it known that they look at this as a profession. This is not something that they just go and hand out and do. They know their obligations, they know how to make a scene work! These are people who are doing this full time who are raising their families and making their benefits, They know how to bring their game-not just their wardrobe, props and cars.” Bob Ostrow, Chair of the National and Los Angeles Background Actor Committee.
FULL TIME BACKGROUND ACTING
There are many ways to make a living as an actor. For some, it means starring roles and a foot-long IMDb page. But that certainly isn’t the only way for actors to spend their lives on film and TV sets, getting paid to do so. Background acting—or”extra” work—can absolutely be a full-time profession if you know how to go about it.
Being an background actor is a no-pressure way to gain firsthand experience on a set, make valuable connections, and get paid to watch experienced actors and creative’s work. For Retirees, it is a great way to make money and enjoy different way of life. So, why wouldn’t you want to be an extra? You can also get exposed to countless types of productions and genres, providing a crash course in the different kinds of sets out there.
“If you’re a new actor who wants to break into TV or film, you may wonder what it’s like to work on a professional set. Some actors worry that if they nab even a small role in a big project before ever stepping foot on a set, it could add stress to what should be an amazing experience.
“One way to gain professional on-set experience is to get hired as a background actor or ‘extra’ on a couple of big projects. You’ll get paid to be an actor, get an education on how a real set works, and gain the confidence that only comes from real-life experience. I call it getting your set legs!” And just think about all the fun you will have.
Here I was on the set of SAVING JESSICA LYNCH, I met a lot of friends and I got to dress up as a soldier. I got to ride in a jeep and just had a great time, and got paid as well.
TIPS-TIPS-TIPS
Here are a few tips to get started:
- Register with multiple casting companies. The big ones are: Central Casting, Rose Locke Casting, Tammy Smith Casting, Destination Casting, Extras Casting Atlanta, Background Artist Casting Atlanta, Hylton Casting, and Legacy Casting.
- Get some nice pictures taken of yourself with several different looks, dressy, casual and business. Take pictures of full body, waist up and shoulders up. There is no need to spend lots of money on professional headshots, but if you want to splurge, go for it!
- Log in to the casting companies though Facebook, Instagram or their website.
- Register your name and all necessary information. Hint- DO NOT LIE ABOUT YOUR AGE OR SIZES. They will never hire you again if you claim you are a size 2 and show up as a size 22.
- Submit for parts where you have open availability.
- When waiting to hear if you got the gig, DO NOT call to see if you got the part. WAIT for an email or text message from the casting company.
- If you get selected, respond ASAP to confirm.
- Read the directions thoroughly about hair, makeup and wardrobe.
- Get directions from your favorite search engine to make sure you know where you are going.
- I like getting places early. So try to be about 30 min early to get settled and to fill out all of the paperwork.
- Bring your identification required to complete the I-9 form. Bring a pen to fill out paperwork
- Be quiet while in the Holding area unless you’re told you can talk.
- Make new friends because you will be with these people all day and often times you will be with them on several different shows!
- Be kind, polite and courteous to all crew.
- Once on set…Do not talk! Listen to the director! Follow directions!
- Days on set are long so be prepared for a 10-12 hour day.
- Make sure your voucher is properly filled out.
- Save your pink slip and keep in a folder until your check comes which takes anywhere from 2-4 weeks.
- Keep on submitting!
If you follow these simple rules, you will be a stellar background star! Just don’t get discouraged if you are not selected. Some weeks you’ll be super busy and other weeks not as much. But keep submitting and don’t give up!
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legaleagles3141South YarraVictoriaAustraliaCOORDINATOR, DIRECTOR, FREELANCE, LEGAL, LOCATIONS, MARKETING/PUBLICITY, MEDIA, MUSIC, PRODUCER, SCRIPT DEPARTMENT
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Ozwood entertainmentTony Estephen is a Managing Director at Enviroshield Waterproofing based in North Strathfield, New South Wales. Also owner of Ozwood Entertainment, producing internationally acclaimed films in New South Wales, Australia.SWORD-WORLD-AUSTRALASIASword World specializes in the supply of military swords, accoutrements and sword accessories. Since the establishment of Sword World in 2005 amazing new products have been added to expand the choices open to clients. They include an exciting range of knives and unique products that have been requested by our customers over time.JordanMaynoldiBad Friend is a full-service production company based out of New England.
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WellWorldTVDebra K is the founder of Well World TV, a modern television network sharing inspirational and educational content. She works exclusively with those who want to create video content, distribute it through OTT and SM and she is a media consultant helping personalities get started. She is actively seeking new companies and personalities to work with. Her TV Show credits include an EMMY nomination, ADDY award and her most recent TV show, The Prime Time, was an official selection by the International Film Festival of Manhattan and the Miami Web Fest. She is a published author, keynote speaker and business consultant for wellness brands. She is ready to help you share your message and take your business to the next level.United StatesjohnharviemorrisJohn studied theatre at the prestigious Western Australian Academy of Performing Arts. He has since travelled extensively performing Theatre, television and independent film productions in the United Kingdom, Ireland and in his homeland Australia. In recent times John has been involved in numerous film projects produced out of Australia and abroad. John’s short film “Safe House” was invited to screen at the prestigious 61st Cannes Film Festival Short Corner achieving much praise and kudos. Safe House was later produced in Hollywood as a feature film starring Denzel Washington. It was in Cannes; France that John met Richard Wayne and henceforth began formulating their idea and concept of creating an international hub for independent film makers, known as World Film Federation. John’s dynamic source of energy, enthusiasm, passion and life experience bring a focused discipline in realising the success of World Film Federation. The solid business relationships he has sustained globally is a testament to his loyalty to others which will continue to make World Film Federation a force to be reckoned with for years to come and a beacon for industry professionals the world over to aspire and partake in the global independent film community in the pursuit to assist all members become successful in their chosen career path.6000PerthWestern AustraliaAUSTRALIAPRODUCER, PRODUCTIONLF_KohlThey call me "SHORTY" I have owned and ran multi construction companies in home and business construction. Business Consultant.United Kingdom
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Andrea-intlE-mail Address: [email protected] Film Careers: Distribution Country: United States USA State: California We guide you through cultural pitfalls around the world and help you protect your film and brand in the markets you desire. Cultural Pitfalls helps film production companies, studios, and executives avoid getting their movies banned in foreign markets. We do the same for products and services attempting to launch in international markets. Shirin Drost has fifteen-plus years in the entertainment business, specializing in film, TV, and new media content. She is also helps film production companies in avoiding cultural pitfalls—getting their film content banned—in foreign markets. For development executives, she creates financial development and marketing strategies, and supports the film financing process by arranging pre-sales, including raising development and equity capital. For producers, she consults on the placement of the completed content into distribution. For buyers, she sources content–obtaining the finest content at the best prices. For sellers, she provides pre-market, at-market and general consultation services–with a special emphasis on new media and viral marketing. Ms. Drost also provides content sourcing services for buyers of content–such as TV program services and VOD companies.United StatesFatKid Films2015 Melbourne Queer Film Festival - World Premiere, Official Selection, The Dream Children, AustraliaINDEPENDENT FILMS NETWORKINDEPENDENT FILMS NETWORK funds and produces independent films, independent movie, indie film, or indie movie including feature films ,short films, and web series outside the major film studio system, in addition to being produced and distributed by independent entertainment companies.
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WorldPicturesAustraliaWORLD PICTURES AUSTRALIA is a production company based in Sydney, Australia.RICHARD WAYNE STUNTSRICHARD WAYNE STUNTS Men and women who don't mind taking risks and love the thrill of danger may want to consider this as a career choice. No specific certification or degree is required to become a stuntman or stuntwoman. It would be very beneficial to have somewhat of a diversified background in various activities, such as gymnastics, fencing, sky diving, scuba diving, rock climbing, martial arts, dirt bike racing and stage combat to name a few. The most important skills required are physical fitness, stamina, strength and coordination. Stuntmen are the "faceless action heroes" of film and television. They work the scenes of the movies that are risky. They do live action stunts that make all of us action film lovers drool. Imagine dangling from a helicopter, driving a Ferrari in a high speed chase on windy mountain roads, jumping off rooftops, slashing an evil doer with a sword, crashing an 18-wheeler, or falling off a cliff. This is just a day in the life of a stuntman. Not everyone can be a stuntman. Stuntmen are highly trained professional performers who take risks as part of their jobs. Every stunt is executed exactly as planned, practiced, rehearsed, rehearsed, rehearsed, rehearsed and reviewed. Stunts are designed to be as safe as possible. A beautifully choreographed sequence is amazing to watch but in reality takes days or even weeks to set up. Stuntmen average $70,000 per year. If you’re newer to the industry, you may only make $5,000 per year. It all depends on how much work you manage to find. The highest end stuntmen can make up to $250,000 per year. All it takes is one stunt to make money – the highest paid stunt ever was $150,000 for jumping off the CN Tower in Toronto. That’s about a $15,000 per second. Stuntmen love their jobs. They get to do death defying stunts and get paid for it. So if high speed boat chases, ninja fights in temples, diving with sharks, parachuting into lakes, walking on walls, or climbing a building sound better than staring at a computer screen, you should look at a career as a stuntman.pabloesparzaESPARZA FILMS We make MOVIES WITH LATINO FLAVOR. The first movie we produced in 2000, made it to the New York Film Festival, "Machete" and it is now for sale at Amazon. com. ----- We have also produced: Los Caminos de Dios, Tribaleros, Carretera nfernal, El Racista, y Mano Negra. ----- Our Mission is to continue making films that in certain ways touch people's souls. -------- CTC acting school has been open since 2015 in Grand Prairie. Workshops are on Wednesdays @ 7:00 PM and on Saturdays @ 10:00 AM We teach: How to act on camera for Film and TV Monologues, improvisation skills, Cold reads, Auditioning skills, how to construct a character, how to read scripts and understand what they want from you as an actor. An actor as a business person, how to behave in auditions, and how to read from voice overs or radio, and finally, how to understand the film industry and make sure that is what the actor wants to do...
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